If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. The list of variables goes on and on. Your purchases help youth music programs get the gear they need to make music. Thank you for your request. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Mimic, HSH to SSS and SSH (board little Mind). Shipping and handling. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. I haven't had much luck with Klones and stacking with other dirt pedals. Im returning my ocd and picking up a Tumnus deluxe to replace it. JavaScript is disabled. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. If you want to add another tone to your board, look for pedals that will complement the tones you already have. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. If you try this, you'll be really, really surprised. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. Powered by Invision Community. Designed to replicate the characteristics of a specific amp. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Now, this one is really cool, and in some cases, it's a non-negotiable. I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. By The Quiet Theory Prelude is also a great pedal, since it has both settings. Route 66. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. That doesnt mean its not a good pedal, but its a good thing to know before you buy it. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. Although I'd admit I owned the TIM (not the Timmy). Super reasonable pricing. There is a clear top-end chime and warmth in the midrange. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? But if you do it in a faint way, it's really, really special. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. Mooer's Blues Crab should be a solid budget option. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. You must log in or register to reply here. Some pedal companies actually sell the set of two boosts. Not enough people do it, and I think you'll be really surprised. So, Big Muff into a Tube Screamer. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. See giveaway details & rules or check out our past winners! All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Privacy Policy. Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. Of course, those who want this tone need not shell out the absurd amount of money necessary to procure an actual Klon Centaur, as there are tons of excellent and affordable "Klones" that will do the job very capably, including Electro-Harmonix's very tasty (and very economical) Soul Food. The Caverns by Robert Keely has a modulating reverb setting and a delay. If you want to see the reason this is cool, turn the drive knob up. i tried stacking overdrives but i didnt like it too much. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Literally, you could spend the rest of your life trying combinations. Set the Gain control at 9:00 or 10:00, lower if the pedal still responds properly. For the reverb and tremolo, the Strymon Flint is really great. Here are a handful of perfect pedal pairs for creative tone stacking. How do you like it? Timmy is used by itself for a crunchier sound than Klon. I hate it as a clean boost. Both of my boards have four OD pedals with a Timmy being the first in the chain. I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. You can also use drive pedal stacks to change the overall character of your existing rig. Know What You Have, Decide What You Need Next. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. I think this is going to help you be heard. Is it a good thing? Theres one at my local GC for $50. The only one who's feeding anyone bull{censored} here is you. Running the most transparent or lowest gain OD first seems to work the best for me. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. It does a lot of crazy stuff, but I'm going to just set it as a big ambient wash. Then I'm going to take one of my Kodiak tremolos, and I'm just going to let it pulse and trim the decay of the reverb and the clean signal. Are there more or less mids? Rickenbacker 360/12 string in Fireglo in perfect condition. Hi thanks for your replies. So the VLSDM stayed on my "light" board. I'm running Soul Food into Timmyawesome. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. Next up, take two boost pedals-- doesn't matter what they are --and combine them. I just got through messing around running a Soul Food into an OCD V2. It may not display this or other websites correctly. New CLR 3-way switch. eBay item number: 304918709122. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Its just music. Plugging pedals into other pedals is tremendous fun. Are you using one to drive the other? This website uses cookies to improve your experience. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Long story short, you put these two pedals together, and you get the one amp to rule them all. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. Octave + Fuzz = Massive Wall of Riff Rock. The best part is that when I play these pedals together, they're going to be syncopated. Based on the Klon Centaur, somewhere between Transparent and TS-style. TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. Turn your old gear into new gear with the Sweetwater Gear Exchange! seems like an odd combo. Even in the simplest rigs, there are a lot of considerations. That's what you need to try. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Hendrix. . Personally, I would go Katana, TS, Timmy, Klon. Between the Klon, Timmy & TS you should find all the boost you need. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. The Big Muff has plenty. Maybe you will. That said, it's a great, versatile pedal. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. You must log in or register to reply here. Currently, after watching and reading a lot about Klon (e)s on fora . This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? I also use an Xotic EP boost for stacking. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. Whew! JavaScript is disabled. It's super glitchy and really fun. I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. It may not display this or other websites correctly. All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. This topic is now archived and is closed to further replies. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. call paul and bill and tell them BOTH that line of bull{censored} above. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. If you want to add another tone to your board, look for pedals that will complement the tones you already have. If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. If it sounds better at a lower-gain setting, treat it like a lower-gain pedal. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Pph 21 pegawai kontrak. JavaScript is disabled. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish I could have taken one of any 40 boosts and put it somewhere in this two pedal setup and change the entire overdrive sound for this setup. It's wide and tall. Based on your location, we've changed your settings: Shipping Region: You can also shape it a bit more than you can the OCD with the EQ. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. fender original tele 50s, 24 1995-2022 Harmony Central, Inc. All rights reserved. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. Your purchases also help protect forests, including trees traditionally used to make instruments. But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. 2. Good Luck! It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. With overdrive pedals, there are some really good options: you have the JHS Double Barrel, which has the Morning Glory and the screamer already in it. Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. I mostly play indie, punk, classic rock, pop, blues. This has gobs of delay options. If your tone is fine, but a bit dark, consider trying a boost. For me, I consider it an always . The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. The combo works really well in a wide variety of rigs, and the blend of tones results in a delicious stew that is equal parts sweet, thick, richly detailed, and dynamically crunchy (if that makes any sense). Do your homework before buying. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Each new drive will shape the EQ and most drives also increase compression. Thanks for all the help. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. A setting that works well on its own might not be the best setting when stacked. That's part of the fun of it. You are using an out of date browser. and don't attack me asshole, I'm asking about what I've been told. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. They probably were referring to the fact that the Timmy can be set for a clean boost. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. (Adjust tone to taste.) NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. Mayweather vs guerrero memes. I like to use the ZVex Super Hard On and the EarthQuaker Arrows, but you could literally use any two boosts on the planet and this would work. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. Molecular geometry shapes and . You must log in or register to reply here. Next up is a fun one. Sep 2, 2016. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells . They boost other effects and add a nice thing to the pick attack and note bloom when they are first. In a head to head comparison, tonally, they are almost identical. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. The key to a perfect drive stack is to pay attention to your EQ. Suzuki f8b specs. Today, were putting together some truly great pedal stacking combinations. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. The place for all things related to guitar pedals. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? To Fit. The possibilities are endless. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. Check those out. There's a few pedals you could use here. Is there any better bang for the buck in a new guitar than this.